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:: urednik
Bojana Cvejić, Tanja Marković, Miško Šuvaković, Ana Vujanović
:: sadržaj


  • Ana Vujanović, Miško Šuvaković: Introduction



  • Bojana Cvejić: I.N.T.R.A.D.A.
  • Bojana Cvejić, Tanja Marković, Ljubiša Matić, Maja Mirković, Miško Šuvaković, Ana Vujanović: Fragmentary History of Dance During the 20th and the Beginning of the 21st Century: Discourses, Poses and Transgressions of Dance
  • Miško Šuvaković: Discourses and Dance – Introduction to Philosophy and Theory of Dance
  • Ana Vujanović: Performing (Conceptual) Dance: Actor as/and Author as ‘Afformer’ as ‘Performer’ (as Jerôme Bel…)
  • Mårten Spångberg: Something like a Phenomenon | trans. Vesna Perić
  • Goran Sergej Pristaš: What Needs to Be Excluded | trans. Jelena Janković
  • Bojana Kunst: Performing the Other Body | trans. Jelena Janković
  • Ivana Stamatović: Opera in Movement
  • Jelena Novak: Operation: Orfeo – Transplantation of the Opera Organs
  • Jill Sigman: Ordinary People: Trio A and how dances signify | trans. Iva Nenić, Miloš Milenković
  • Sally Banes: Power and Dancing Body | trans. Nataša Bogovac


  • Bojana Cvejić: Archiving Contemporary Dance
  • Ana Vujanović, Bojana Cvejić (eds.): Dossiers – Jerôme Bel, Xavier Le Roy
  • Nikolina Bujas-Pristaš, Bojana Cvejić, Ana Vujanović: Choreography in Process (discussion)
  • Eda Čufer, Bojana Cvejić: Speaking of Contemporary Slovene Dance (discussion)
  • Branka Fišer, Ana Perne, Asen Terziev Todorov, Ana Vujanović: Contemporary Dance Discourses from South-Eastern Europe, Konfontance 2002



  • Alan Badiou: Dance as Metaphor of Thought | trans. Ljubiša Matić
  • Hans-Thies Lehmann: Border Crossing Between Genres | trans. Ljubiša Matić
  • Mladen Dolar: If Music Be the Food of Love... (1) | trans. Tatjana Marković



  • Sarah Kane: 4.48 Psychosis | trans. David Albahari
  • Ana Vujanović: 4.48 Psychosis: Economimetic. Construction. of. Pain.
  • Miško Šuvaković: Form of Non-Life or On the Extract of Being; Performing post-existentialism and/or biopolitics: Sarah Kane 4.48 Psychosis
  • Bojan Djordjev: 4.48 Psychosis by Sarah Kane and Theories of Database and Nonlinear Narrative – A Brief Ascertainment
  • Tanja Marković: Problem of Writing in the Time of a Dead Subject
  • Maja Pelević: Psychosis of Nonarticulated Fragments; Dramatic Collage of a Verbal Illusion



  • Ana Vujanović: The Pleasure of Deconstruction
  • Bojan Djordjev, Siniša Ilić, Jasna Veličković, Ksenija Stevanović: The Dracula Project, and Klemen Fele: Vampirism in Vienna or How Balkans Lost its Blood
  • Mårten Spångberg, Tor Lindstrand: Artist’ Talk; Script 021115
  • Ana Vujanović, Miško Šuvaković: St Ana of the Red Cross, According to Miroslav Krleža and Roland Barthes
  • Katarina Zdjelar: MISSSSSSSS K
  • Tanja Marković, Ana Vujanović: Artists Have To Walk Through Theory
  • Maja Mirković, Siniša Ilić: Some Questions (on Dance)



  • Marvin Carlson: Needcompany’s King Lear | trans. Vesna Perić


The issue is available only in Serbian version.