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Danas nam se, više nego ikad, čini da je fenomen melankolije sveprisutan i odlučujući. Mnogostruki su i brojni gubitci u našem vremenu: raspad socijalističkih projekata, društva kao cjeline, kao projekta, nestanak rada i klase, gubitak održive alternative političkoj ekonomiji kapitalizma...
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Borrowing the title from the famous Dean Martin song, this notebook-like performance explores the mechanisms of forgetting, emotional consumption and remembering moments and spaces that have been evacuated or that were never there.
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Crime, sexuality and gender are issues that we would like to explore within the frames of our festival. We are interested in wider definitions of crime (in relation to sexuality and gender) which would go beyond the regular time / geography frame as well as beyond concentration solely on the victims – whose destinies leave them displaced, murdered, raped, tortured, killed.

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